epic portrait \\ alec baldwin

6

Alec Baldwin – April 16th 2012

The Gear

Lens: Noct-Nikkor 58mm f/1.2

Lens ND Filter: B+W 103

Camera: Nikon D800

Technique: 3 shot Brenizer Method

Light Sources: 1 Einstein 640 WS by Paul C. Buff

Light Modifiers: Paul C Buff 35″ Octabox

The Goal

Create a simple & dramatic portrait with a single light source

The Vision

I developed many concepts in preparation for Alec Baldwin’s portrait. I wasn’t entirely sure what he would be discussing during his luncheon speech as it was TBA until the day he arrived. So, I mainly focused on developing a serious and moody portrait which I thought would be representative of how his character Jack Donaghy on 30 Rock would want to be portrayed.

The Story

When I first found out I would be photographing Alec Baldwin I was disappointed because it was smack-dab in the middle of the week I was planning to be photographing around California. I decided to go ahead and book a flight in the middle of the week and fly back to DC for a few hours then turn back around and continue my CA trip. Of course, once I had that all booked up I found out the luncheon date had changed to a Monday so I had to rebook yet again and in the end just decided to leave a few days later than originally planning. What does this have to do with the portrait? Nothing.

So, now is as good a time as any to talk about how I prepare for portraits and develop concepts and just practice in general. As much as I’d like to say I can throw up any huge light source and instantly create a compelling portrait it’s just not true. It’s a lot of work learning how various light modifiers will look and interact with each other… especially since I’ve had no training. It’s also important to learn any and all of your gear through and through so it’s not even a thought to set it up and make changes. The only way to get good at both of those things is practice. Time and practice. There’s no really way around that. So, because I don’t shoot very much (ever) in photo studios with models I can hire I had to suck it up and do the only thing I could think to do to study studio lights… buy a mannequin. Yup. An inflatable mannequin. It’s pretty awkward walking around the press club with the thing, but I gave it a shirt and bought a creepy mask to make it even more awkward.

So, here are some concept photos I’ve taken with my faithful poser.

7

89 10

 

So, that last image is actually what I decided I’d go for with Alec’s portrait, but you can see… my portrait looks almost nothing like it, haha. When I began packing up my gear on the morning of I wasn’t feeling it. I had this weird urge to just keep it simple. One light. It can be so satisfying to push yourself by creating intentional bottlenecks.

I’ve learned over the past few months working with this setup is that inches matter. Centimeters matter. The smallest change in positioning of a light or a subject will completely make or break a portrait. It’s kind of annoying, but satisfying when it all comes together.

I’ve been very lucky in my mini-photography-career to have access to tons of variations of photography equipment. Lenses, camera bodies, lights, modifiers… I’ve acquired more than anyone ever needs and recently I’ve found that by scaling back and making things simplified my mind is free to think more about the contents of my images and not what I am using to make the photos. Not sure if that makes sense, but oh well.

So, Alec Baldwin’s portait is very simple. I feathered the one 35″ octabox (it had the diffuser on it) very heavily so there was dramatic falloff. It definitely compliments the attitude of his expression. I also love how his shoulders are imbalanced. It almost seems like he’s slowly walking out of the photograph toward you. It’s very engaging in my opinion.

Mr. Baldwin was very kind and actually really funny. As I’ve noticed with most actors I’ve worked with he’s direct and clear about what’s going on and expects the same from others. The shot took a few short clicks, a light adjustment, and a well placed 30 rock joke and he was on his way.

The Lesson

Keeping it simple can be a good thing.

Photography by Washington DC Wedding Photographer Sam Hurd

About Sam Hurd

Sam is a professional wedding and editorial photographer based in the Washington DC area. He photographs 40+ weddings a year, press events, commercial portraiture, and regularly hosts workshops in his Baltimore MD studio and around the world. His work has been published internationally including the Wall Street Journal, the NYTimes, and the Washington Post. He's available for commissions worldwide.

Blog Comments

(Show/Post Facebook Comments)

  1. This was a really awesome read and a FABULOUS portrait of Mr. Baldwin. I’m supa impressed!

  2. This is really nice, Sam – awesome job!

  3. 1) You’re crazy talented, 2) that portrait is amazing, and 3) with that neck, your dummy/model would be a perfect stand-in for Henry Rollins.

  4. Epic indeed, Sam. Ace work.

  5. I’ve met the mannequin, it’s even creepier in person. Love it.

  6. You keep besting yourself with every one of these.

  7. I love your “epic portrait” series. Another very nicely done portrait of an impressive character!

  8. Every one of these is incredible but this may be my favorite. Such a perfect expression and love where the focus is.

  9. Great workout here, and great results. Lets training!

  10. Nice write-up, Sam. Thanks for sharing the setup and process, and congrats on another great catch.

  11. Awesome portrait and great post! Thanks for sharing your approach and techniques.

  12. Brian Redmond says:

    Thanks for details of shoot. How does the flash end of it work? Do you have to allow for recycling time between exposures?
    Does the subject stay still on a three shot exposure?

  13. Ummmm, this is amazing.

  14. Hey Sam, you talk a lot about not having any training, so I’m guessing youre a internet assistant trained photographer. When doing a series like this, the one thing you want is consistency, and by that I mean, you want to use the same light setup each time, or the same location, or the same type of outfit, or the same kind of expression or feeling in the subject. You need to decide which ones are important to keep and why. Keep shooting and learning, it’s all fun :)

Facebook Comments

Leave A Comment

*