Danica Patrick – February 21st 2012
Lens: Nikon 50mm f/1.2
Camera: Nikon D3s
Technique: Overexposed background
Light Sources: 1 Einstein 640 WS by Paul C. Buff
Light Modifiers: Key light is gridded Parabolic Light Modifier - camera left.
Create subject isolation and wrapping soft light.
As soon as I walked into the room I completely rethought my concept for the photo. I decided I wanted a black and white of her against an over exposed background.
I had thought for a few weeks about how I’d photograph Danica Patrick. Unfortunately, when the day came that she was speaking at the National Press Club I had completely forgotten she was coming… ha. I had an early morning press conference and then a little time to prep and make the portrait. Un-luckily for me… when it came time to start loading up my gear for the photo I realized i’d forgotten my ND filter. It’s a pretty critical piece of equipment for me as I like to shoot my lenses wide open to maximize shallow depth of field and really isolate my subjects. Since the max sync speeds with the Einsteins is only around 1/300th and the weakest power they put out is still too much light when shooting at f/1.2 I pretty much have to shoot with an ND filter.
So, as soon as I walked into the room I was inspired about how to solve my problem. The first amendment of the press club is an awkward room to shoot in. It’s got around 3 or 4 very bright and totally different color temperatures going on… tungsten, florescent, florescenter, and daylight. Once I walked in I immediately gravitated to the isolated corner in the back of the room, where really only daylight was going to be a major factor. I instantly knew that I could blow out the bright background and essentially use the bright window as a giant ambient soft box to not only help provide a tad of rim light, but isolate her from any background while shooting at f/11, which I was forced to do without my ND filter.
Not the most interesting corner, haha.
I recently purchased the Paul C. Buff parabolic light modifier and was excited in my testing about the quality of light it produces. Basically, it’s gorgeous. It’s almost too easy, haha. It’s a very big umbrella like thing and I opted for the reflective silver lining. Also, for this portrait I did not use the fabric covering as I wanted the light to still have that contrasty quality to it while still being soft.
So.. here is the setup… pretty straight forward, no?
I used the chair to stand on to get a nice perspective.
When I met Danica her handshake nearly broke my hand. She’s a fairly small person, but totally exudes confidence when interacting with people. As I took her aside to make the portrait she seemed excited to work with me for a few different frames. I took a couple of random shots to make it seem like I was “feeling it out,” but I already knew the exact frame that I wanted. She had clearly been in front of the camera many many times and knew how to give me an attractive look and smile, but I wanted to break down her attitude just a bit. I asked her to just relax and concentrate on where she was and why instead of the camera looking back at her. She looked down for a few seconds and then straight up at me. Meh… maybe a silly thing to say, but it got the look I wanted and it’s what you see in the final portrait.
I used to think I would have a massive amount of trouble making interesting photos at anything smaller than f/2.8 where most everything is in sharp focus. Being a DC Wedding photographer it’s usually more fun to put clients in that dreamy bokeh filled atmosphere so I’m really used to easily creating non distracting backgrounds. Thankfully, I’ve proven to myself that I can quickly work around unexpected problems AND shoot at smaller apertures than f/2.8 to create a portrait I’m happy about.
Also, I decided against the black and white, which I originally wanted to do because she looks incredible in color.
Photography by Washington DC Wedding Photographer Sam Hurd